Beats - Tuning Fork


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 Code Number :   3B60.10

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Reprinted by permission of Dick Berg, University of Maryland, for use on this website.

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Condition :   Good  
Principle :   Constructive & Destructive Interference of Sound Waves   
Area of Study :  Acoustics  
Equipment :   Match tuning forks and rubber mallet.
Procedure :   Set the tuning fork side by side and strike.  The beat frequency can be increased or decreased by moving the metal rider on one of the forks.
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   References

Frank J. Blatt, "Beats and Nodes", TPT, Vol. 32, # 1, Jan. 1994, p. 5.

Thomas B. Greenslade, Jr., "Beats Produced by a Moving Tuning Fork", TPT, Vol. 31, # 7, Oct. 1993, p. 443.

Terrence P. Toepker, "More Beats", TPT, Vol. 29, # 9, Dec. 1991, p. 548.

R.G. Newburgh,  "Lapping in Races as a Model for Beats,"  TPT, Vol. 28, # 8, p. 557, (November 1990).

H. J. Janssen and E. L. M. Flerackers, "Beats: An Interference Phenomenon", TPT, Vol. 17, # 3. Mar. 1979, p. 188.

Joe Crnkovich, "More on Partial Credit", TPT, Vol. 16, # 2, Feb. 1978, p. 75.

 

W.L. Lama, R. Jodoin, L. Mandel, "Superradiance in Radiatively Coupled Tuning Forks", AJP, Vol. 40, # 1, Jan. 1972, p. 32.

 

W- 355:  "Tuning Fork - One Time Loaded,"  DICK and RAE Physics Demo Notebook.

 

Robert Ehrlich,  "Beats Using Two Sound Sources,"  Turning the World Inside Out, p. 144-145.

 



Mail Questions and Comments to:  Dale Stille